Electronic Literature is a loaded and slippery category. It is rather dryly defined by the Electronic Literature Organization (what other art form needs a governing body?) as “works with important literary aspects that take advantage of the capabilities and contexts provided by the stand-alone or networked computer.” Does this mean everything or nothing?

If there’s one person who knows the ins and outs of e-Lit as a category and an institution, it’s J. R. Carpenter. The Canadian artist, writer, performer – and myriad other titles – first logged onto the internet in November 1993, and has been deeply invested in making work both online and off ever since. This work floats across all mediums: zines, novels, hypertext fictions and performances, all referencing and circling back on each other.

In February 2013, writer Elvia Wilk took part in a writing residency at the Banff Center called In(ter)ventions: Literary Practice at the Edge, a yearly program where J. R. is a member of faculty. Banff is also an important place in the development of J. R.’s work; it was during a 1995 residency there that she made her first hypertext project. Recently Elvia and J. R. caught up with each other in London to re-hash many of the issues they talked about while together at Banff – dissecting various (misleading) terms in the e-Lit field, going over projects both new and old, discussing code as performance writing, and ending up on a chain of imaginary islands.

Elvia Wilk in Conversation with J. R. Carpenter

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